| Dona Flor and Her Two Husbands | |
|---|---|
| Directed by | Bruno Barreto |
| Produced by | Luiz Carlos Barreto Newton Rique |
| Written by | Bruno Barreto Eduardo Coutinho Leopoldo Serran based on the novel by Jorge Amado |
| Starring | Sônia Braga José Wilker Mauro Mendonça Dinorah Brillanti |
| Music by | Chico Buarque de Hollanda Francis Hime |
| Cinematography | Murilo Salles |
| Editing by | Raimundo Higino |
| Distributed by | Embrafilme Warner Bros. (USA) |
| Release date(s) | November 22, 1976 (Brazil) |
| Running time | 110 min. |
| Country | Brazil |
| Language | Portuguese |
Dona Flor and Her Two Husbands (Dona Flor e Seus Dois Maridos in Portuguese) is a 1976 comedy film directed by Bruno Barreto. Based on the novel of the same name by Jorge Amado, it takes place in 1940s Bahia. It stars Sônia Braga, José Wilker, and Mauro Mendonça in the leading roles. The screenplay was adapted by Barreto, Eduardo Coutinho, and Leopoldo Serran.
When initially released, Dona Flor became the most successful film in Brazilian history. Its box office was only reached by a Brazilian production 35 years later (by the 2010 blockbuster The Elite Squad 2). Internationally, Dona Flor received nominations for a Golden Globe and a BAFTA Award.
In 1982, an American remake titled Kiss Me Goodbye, starring Sally Field, James Caan, and Jeff Bridges on the leading roles, was released.[1] Field received a Golden Globe nomination for Best Actress in a Motion Picture - Comedy or Musical.
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Vadinho (José Wilker), Flor's irresponsible husband, drops dead while dancing in a street carnival party. Only Flor (Sônia Braga) expresses remorse after his death. Flor's friends and family see Vadinho's death as a chance for Flor to find happiness after the misery brought upon her by Vadinho's spendthrift ways and near total lack of respectability. Roughly the first half of Dona Flor recounts Flor's marriage with Vadinho in an extended flashback. What is made clear is that Vadinho was a great lover who admired his wife's respectability, but enjoyed protracted foreplay until she begged him to continue. He might not paint the house or leave her savings alone, but he changed this inhibited girl into a wife who experienced carnal joy regularly.
The second half of Dona Flor involves Flor's meeting the respectable but extraordinarily dull pharmacist Teodoro (Mauro Mendonça), his courtship of her, and her marriage to him. Flor's friends consider Teodoro the exact opposite of Vadinho. Teodoro belongs in superior circles within Bahia's society, dresses elegantly, and treats Flor like a lady. What Flor's friends do not know is that Teodoro is also the opposite of Vadinho in one more respect: in bed, Teodoro is as lacking as Vadinho was accomplished.
On the anniversary of Vadinho's death, Vadinho reappears to Flor in the nude and explains that she called him to "share her bed" with him. Only Flor can see and hear the nude spirit of Vadinho. She protests because she is now remarried and has pledged to be faithful to Teodoro, but after Vadinho laughs during Teodoro's pathetic attempts at love-making that night, Flor gives in and lives happily with both husbands. A cute shot toward the end of the film shows Teodoro lying in bed next to Flor, who kisses him on the cheek. The camera then pans to the left and we see Vadinho on Flor's other side and she kisses him on the cheek too.
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